Side by side

Compare the tights

Pick up to 5 pairs and read them against each other on the details that actually differ: colour, surface, sheen, waistband, seams and opacity.

Visual details of the selected yoga tights, compared side by side

Detail	Second-Skin — Deep oliveRemove	Scrunch Seamless — Mediterranean coralRemove	Marble Print — Chalk + bronzeRemove	Bronze Band Rib — Amethyst with bronzeRemove	Ombré Dip-Dye — Olive to chalkRemove
Colour	Deep olive, the studio's house green — cool, slightly grey in shade	Roof-tile coral, warm red with an earth base	Chalk ground with bronze and clay veining, no two panels alike	Muted amethyst, stone-led purple with a grey cast	Olive at the waist fading to chalk at the ankle, hand-dipped
Surface & texture	Smooth matte jersey, flat to the eye with no visible rib	Fine seamless knit with a graduated rib up the centre back	Smooth printed jersey, pattern sits flush with the surface	Narrow rib through the leg, smooth bronze band at the waist	Seamless knit, same block as the scrunch pair
Sheen	None — fully matte	Very low — the knit catches light on the scrunch only	Soft — the pale ground lifts more light than the solids	Matte leg against a metallic-finish band — the contrast is the point	Low — the pale hem looks brighter than the saturated top
Waistband	High rise, 12 cm, self-fabric with a bonded edge	Knitted-in high rise, 12 cm, no elastic casing	High rise, 12 cm, print cut to run continuously	High rise, 10 cm, burnished bronze finish	Knitted-in high rise, 12 cm, deepest colour of the gradient
Back detail	Plain curved back yoke, no gather	Sculpted scrunch, gathered on purpose through the seat	Plain back with the veining placed to fall vertically	Plain back, band sits level front and back	Scrunch rib, softened by the fade
Seams	Four-panel leg with flat-locked inner seams	None down the sides — circular knitted tube	Four-panel leg, print matched across the outer seam	Flat-locked inner seams only	No side seams
Opacity	Fully opaque	Fully opaque, squat-tested	Opaque — double-knitted because of the pale ground	Fully opaque	Opaque; the palest section is double-knitted
Best in	Flat studio light — reads as one solid block of colour	Golden hour — the warmth intensifies	Diffuse studio light — veining reads clearly	Low sun — the band burnishes, the purple deepens	Backlight — the gradient separates into bands
Pairs with	Sand and chalk tops; bronze jewellery	Olive and sand tops; coral or turquoise stones	Solid olive or bronze tops; skip patterned layers	Chalk or sand tops; bronze and amethyst jewellery	Chalk tops so the fade stays the focus